Bad Girls Drink Blood

Bad Girls Drink Blood (S.L.Choi) has some fun ideas and might be worth reading, but I’m not excited for book two. A big reason for that is the super icky love interest. It’s yet another noble Prince-in-Exile, who’s also vastly older than her. And he’s been grooming her since she was 15, deciding she was “a female worthy of him”. At first she’s shocked to hear this, and a chapter later … decides that it’s normal and actually very romantic.

If you can stand to read more, on to the secret world. It’s fine. In this universe the supernatural stuff is public knowledge, but doesn’t mix much. Most magic critters live in fairyland, anyway. Mainly, humans get a thrill out of visiting non-human establishments. It’s not the usual dark demons and vampires and weres. What we get are Sun fairies and Moon fairies (which are more like elves). Awww. Sure, there are a few big scaries, but we also get furballs who can sprout fangs and teeth but even then are more cute than deadly. And there isn’t a Master Vampire in sight.

Powers-wise, she’s super strong, heals by drinking blood, and is weak in sunlight. So she’s a 1/2-vampire, right? Well, no — she’s a defective artificial creation for The War called a Blood Elf. That’s neat, right? Of course we later meet some normal full Blood Elves and learn a little about why she’s defective.

Her personality does a great job of pushing what the genre wants. She’s the muscle in the family detective agency, so thinks of herself as stupid, especially compared to her sisters. Back in fairyland she was put down by Sun Fairies and has clearly internalized it. She wants to hate them for being all stuck-up and elfy, except her adopted sister is a Sun Elf. She can’t use magic and dislikes fairies who can, but her other ice-fairy adopted sister is super-magical. Basically, she’s a mess of insecurities and constantly second-guesses herself.

Back to the secret world and plot, we find out the war was Sun vs. Moon elves. But later that it was just one Moon elf faction. We learn that the art of portal-creation was part of the war, possibly involving long-lost druids. We learn that fairy magic is channelled through foci, which all come from living crystals. We get some Moon Elf politics. It’s fine.

But then come the story problems. Having met her True Prince so early, flirting and new guys out of the equation. The main bad guy is cartoonish — pure evil, even using evil spells, with a needless personal hatred towards our girl, sexist insults included. Then the last half turns into pure action. As the danger escalates, the answer is turning our heroine into a killing machine. She just punches and smashes and slays her way to the ending.

And that’s the rest of why I have low hopes for book two (and there will be one — this book is AKA “Bad Fae Druid Book 1”). As part of the turn to action, she just wins. We started with her and her two adopted sisters trying to keep the detective agency afloat, living in a makeshift house hidden by the human/fairy border, questioning whether she’s good enough. By the end she’s saved the world, is besties with the queen, has cathartically overcome the effects of childhood bullying, has found her soulmate, and has gained an epic new power.

Sure, we still have her sister with a crush on that insufferable Sun Fairy royal guard. And she just met her mysterious grandfather. And I guess we could watch her prince boyfriend put his kingdom back in order? But her conflicts are done. Book 2 will probably be named “Queen’s Assassin: Conquest of DarkRealm”.

SkinWalker (more YellowRock)

Series tend to go downhill. This was my thought after reading the third book in Faith Hunter’s Jane Yellowrock series. It was so bad, but also popular, that I figured if must be riding on just how terrfic the first one was, titled “SkinWalker”. I’m here to tell you — the series was never good (and was never an Urban Fantasy Detective Romance).

By the third book the main character was boringly overpowered. That can happen — she could have “figured out her powers” in the first two. But no — it turns out she’s always been a heavily-armed expert martial artist with a plot-destroying sense of smell, fast regeneration, shape-change into any animal, and a BFF sorceress providing her with bleeding-edge magical gadgets. The first book hints at a time when she was trying to make it in the world, but then we find out it was merely proving she was the best magical monster exterminator in the world. She’s always been boringly OP.

But surely this first book gave her interesting motivations and unresolved angst (which were solved by book three). But again, not really. She can’t remember her past and claims to be desperate to learn where she came from. That seems to have potential. But when she meets people who know about her, she’s all “hurry up with your boring story old man — I need to kill this bad-guy for the reward”. That’s right — her motivation is money. She spends more time worrying about getting the early completion bonus than trying to find out who her parents were.

But what about the weird cat spirit trapped in her body? In book 3 it’s pretty much nothing, but it was a serious conflict in the first two, right? Again, nope. Midway we find out she doesn’t need the cat spirit for anything — all of her animal and smell powers come from her alone. The cat spirit is just comedic relief. There’s some fake drama about it being a soul she stole, but then we learn that only happened because she absorbed the cat’s body to heal herself after it sneak-attacked and mortally wounded her (wait — she could always do what?)

But maybe book one had a great plot before the author ran out of ideas. Once again, nope. The plot is she has to catch a bad guy, wanders around accidentally seeing him a few times; he runs but she easily smell-tracks him, then grossly out-guns him during the final fight. He appears to have a clue about her past which might make her hesitate — oh, never mind, she slaughters him without a second thought.

Technically there’s complication where a secret wizard’s guild is also hunting the badguy. But it’s a page long — we learn about them at the top, and they’re killed at the bottom. There’s a sub-plot with illegally created wild vampires which seems beneath her since she’s been slapping around the city’s master vampires pretty easily. Oh, it was crammed-in to be her mission for the next book. Yawn. Of course, in solving the case she made an enemy of the city’s master vampire, but we’ve already seen how harmless he is.

Two of my favorite out-of-place bits: she explains her good dancing by saying she took a class. Why do we need to know that? She can out-fight every man, just because, but I guess we need her dancing skills explained in the most out-of-character way. Bit number two starts with her pointlessly browsing stores. For this scene only, pretend she’s poor and has bad fashion sense. She’s thrilled as a helpful shop girl picks out an inexpensive but nice-looking mix-and-match set of tops and skirts. Did pages from a different book fall into this one? We already know she owns and wears custom sexy outfits fitted with special weapon holders.

Onto what we really want to know — what about the gross-out sex kink stuff from book three? Is that the major draw of the series? Oddly, no. She’s nude or nearly nude in many scenes, but we get no lengthy descriptions of that particular kink — no hosing mixtures of bodily fluids from her delicate areas and so on. I like to imagine that the author read fan-fiction based on book one and two, said “oh my!”, thought some more, and decided to give her fans the filth fetish they really wanted in books three+.